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Spotlight cracked ВЈ6m at the weekend, with takings of ВЈ70,000 pushing it to ВЈ6.06m. The Revenant will continue to play second-run cinemas and film societies, and could conceivably catch The Martian, which is currently the biggest-grossing of all the best picture Oscar nominees in the UK (with ВЈ23.59m). The Revenant crossed ВЈ23m, for example, with takings of ВЈ70,000 pushing it to ВЈ23.03m. Venue capacity was 950 people.ДЄ few of the awards-season titles achieved personal milestones at the weekend. The event ran for 25 nights over five weeks at the fictional Burpelson Air Base (in fact an abandoned factory warehouse in south London), generating box office of ВЈ1.24m вЂ“ just under ВЈ50,000 per night. The latest edition of Secret Cinema: Tell No One ended its run on Sunday, and the title on this occasion was revealed to be Stanley KubrickвЂ™s Dr Strangelove.

MetaCritic offers it a score of 62/100, although that includes the GuardianвЂ™s two-star Toronto film festival review rather than Peter BradshawвЂ™s subsequent four-star assessment.

Reactions to High-Rise have polarised, with 5.4% of IMDb users awarding it 1 out of 10, and 15.2% grading it 10. It has already overtaken the UK lifetime total of Kill List (ВЈ265,000) and will cruise past SightseersвЂ™ final cume (ВЈ662,000). High-Rise, from established source material and starring Tom Hiddleston, Sienna Miller, Elisabeth Moss and Luke Evans, is significantly WheatleyвЂ™s biggest film, by budget, scale of release and box office. Even allowing for the revenue split with the theatres, and ParamountвЂ™s marketing costs, that puts 10 Cloverfield Lane well along the road to profitability. The film has already grossed $45m in US cinemas. On the other hand, a ВЈ1.60m UK debut for a relatively low-budget genre film, essentially populated by three actors, none of them marquee names, and largely set in a basement вЂ“ most studios would like the economics of that proposition. Obviously the comparison doesnвЂ™t flatter 10 Cloverfield Lane, since the number is less than half its predecessor, on 26% more screens, and with cinema tickets at least 30% more expensive than in 2008. This compares with a debut of ВЈ3.49m from 386 cinemas for Cloverfield back in February 2008. The result: 10 Cloverfield Lane opened in the UK with ВЈ1.60m from 488 cinemas. In other words, whatever intriguing delight 10 Cloverfield Lane was offering, it wouldnвЂ™t be all-out monster mayhem for 100 minutes. On the other, Paramount made it clear that this was a вЂњspiritual successorвЂќ, not a sequel, to Cloverfield, that the film had been repurposed from a kidnap thriller screenplay called The Cellar, and was achieved with a lower production cost than its predecessor. On the one hand, it has the value of the Cloverfield brand, reinforced by the cachet of producer JJ Abrams. Predicting box office on 10 Cloverfield Lane wasnвЂ™t easy.

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